First, to reconsider everything, which I wrote on the subject before, I entered the opportunity to orchestrate the Compositor Software virtual machines for one beneficial goal: Time and Space modeling on different scales. I saw one possibility in this task, which was many to apply them on different levels or speeds as you may think of it. The lowest level, which is a physical layer is real-time operation which is AI-RT1024 is all about. You do not need to take a move in it, the system programmed as an automatic device to consider all possible Time and Space combinations in Ableton Live 9 for Compositor Max for Live algorithm with quantization. For the purpose of demonstration, I made another version of Compositor Software AI-RT1024 with visualization of all navigation properties using the OpenGL and standard number boxes as you can see on the picture by pressing more link.
As I encounter a valuable feedback on my project I go forward with the host synchronization and manual tuning control for AI-RT1024 in version 1.0.3, which is of standard behavior for drum machines and sequencers. You can find tuning more like pattern selector, whereas host synchronization hardwires internal sequencing to host tempo. It makes a perfectly synchronized solution for orchestrating minimal techno music in real-time.
To report you on a current status of artificial intelligence project I started in 2012 is to say that things started to go its way in a right direction. The technology and formulas I named in the Compositor – the bottom-up approach paper led me to conclusion that using the modification I can achieve virtualization of most devices, which I need for human-like robot operation. To run this myriad of instruments I need a host, which is Ableton Live 9 with Max for Live technology came up as a fast and reliable solution. I decided to stay on a track of algorithmic composition as a medium of product positioning to be on a safe side, because it is hard to realize why one needs AI inside Ableton, which is perfectly for human creativity intension. Yet, I found my way to start operating Ableton Live 9 as a microkernel suitable for launching up to four Compositor Software virtual machines on my current system. This is enough to consider the orchestra thus I entered the world of orchestrating virtual machines, which is one step further of current developments of such large companies such as Microsoft, which still stay on the instrumentation level. My current intent is to turn my server every time I need a proof that technology is reliable and successfully virtualizes v12 engine with most of subsequent parameters.
Compositor v9 Hypervisor provides the Ethernet communication service based on DRM (Digital Rights Management) server.
This server realizes the work based on IEEE802.1Q Ethernet protocol with frame of 262144 samples.
Two initial buses of the virtual machines, running on Compositor v9 Hypervisor server, translate in VLF range.
SHF work is realized using the algorithm with x2048 oversampling, which allows exiting in high frequency radio ether without intermediate frequency in VHF and UHF ranges.
Virtual machines, running in Compositor v9 Hypervisor DRM server, have demodulation algorithms capable of transmitting the wideband signal such as voice or music.
Maximum pass-band of the server depends on the discretization frequency, by which the executed algorithm works.
Compositor Software virtual machines work with discretization frequency, which depends on your processor speed and audio driver settings.
For optimal sound conditions Compositor v9 Hypervisor uses 11.025 kHz sample-rate with the pass-band of 5512.5 Hz.